The percussion program at Colorado State University is a comprehensive approach to the study and performance of literature in all styles and idioms of music. The percussion curriculum is designed to develop musicianship, technical proficiency, cultural awareness, and technological literacy in both performance and pedagogy. Regardless of degree concentration, the percussion curriculum creates periods of study that are curriculum driven and periods that are student driven, based on the individual student’s interests, goals, and needs. Graduate students may choose to specialize in one or more areas as they work toward degree recital requirements.
The goal of percussion studies is to provide professional-level experiences and opportunities for all students that will foster growth through self-discipline, creativity, and entrepreneurship. Successful students will embrace these challenges and others as they develop a passion for life-long learning that will lead to a rewarding career.
The Percussion Studio averages 18–22 students.
The Percussion Ensemble performs a variety of traditional and contemporary works on a wide variety of instruments. Ensemble membership is required for all percussion majors as it is integral to the development of a contemporary percussionist. The CSU Percussion Ensemble accepted an invitation to perform at the 2010 Percussive Arts Society International Convention (PASIC) in Indianapolis, Ind. A performance at PASIC is one of the highest awards a collegiate percussion ensemble can achieve; the ensemble was given the New Music Literature Session, which is one of the longest and most well attended sessions at the convention.
Directed by Eric Hollenbeck
Vasanta Percussion Quartet
Formed in 2009 at Colorado State University, the Vasanta Percussion Quartet is a champion of a wide variety of percussion instruments and styles with a special interest in new music. The quartet works as an educational outreach by bringing new and fresh music to new ears. Current members: Leo Canale, Eric Hollenbeck, Jeremy Maytum, and Shilo Stroman.
Bells / Xylophones / Vibes
- 2015-2016 - John W. Parks, Ivan Trevino, Percunova (Neeraj Mehta and Jonathan Ovalle), Mike Tetrault, Adam Blackstock, Michael Pattman
- 2014-2015 - Scott Shinbara, Rob Marino, Lisa Pegher, Andrew Beall, Payton MacDonald, Keith Aleo, Rusty Burge, Marcos Santos
- 2013-2014 - Allison Miller, Matt Coley, Thom Hasenpflug, Ji Hye Jung, Brian Zator, Thad Anderson
- 2012-2013 - Christopher Deane, Susan Powell, Joey Krieger, Svet Stoyanov, Joe Gramley, Third Coast Percussion Group
- 2011-2012 - Robert Van Sice, John Riley, Greg Harris, Brad Dutz, Mike Tetrault, Paul Vaillancourt, Line Upon Line Percussion Ensemble
- 2010-2011 - Steve Hearn, Mike Tetrault
- 2009-2010 - Kevin Bobo, Mark Ford, John Lane, Steve Hearn
- 2008-2009 - She-e Wu, Tom Burritt, Mario Pelusi, Steve Hearn, Payton MacDonald, Steve Schick
- 2007-2008 - Chris Norton, Tony Di Sanza, Kris Keeton, Mike Tetrault, Lisa Pegher,
- 2006-2007 - Anders Astrand, Nate Bartlet, Susan Powell, John Riley
- 2005-2006 - Blake Tyson, Scott Herring, Peter Martin, John W. Parks IV
- 2004-2005 - Bob Becker, Nate Barlett, Mike Marlier, J.B. Smith, John Kinzie, Jim White
- 2003-2004 - Steve Smith, Bushon Sopori, Nancy Zeltsman
Freshman Audition Requirements:
- Snare drum: Contest solo from Peters, Cirone, Wilcoxon, Whaley, or the equivalent.
- Mallet Percussion: Major/Natural Minor/Harmonic Minor Scales 2 octaves, Contest solo or etude for 2 mallets AND a Contest solo or etude for 4 mallets.
- Timpani: Contest solo or etude for at least 3 drums that includes rolls
- Drum set: A demonstration of basic styles, i.e., Swing (trade 4’s), Latin, Rock.
Additional Requirements for Freshman Audition:
- Snare drum rudiments from the PAS 40 Rudiments performed open-closed-open. Sight-reading on mallets.
Transfer Audition Requirements (demonstrate the following areas):
- Snare drum: Etudes reflecting a concert and rudimental approach, i.e., Concert: Peters, Delecluse, Cirone: Rudimental: Wilcoxon; Pratt or equivalent.
- Mallet Percussion: J.S. Bach transcription (2 or 4 mallet)
- Four-Mallet suggested repertoire: Burritt: October Night, Deane: Etude for a Quiet Hall, Dietz: Madison’s Unicorn, Edwards: Marimba Dances, Klatzow: Inyanga, Sammut: Four Rotations, Smadbeck: Virginia Tate, Tanaka: Two Mvts. For Marimba, Stasack: Six Elegies Dancing, Stout: Astral Dance, Yoshioka: Suites 1-3
- Timpani: Etude or Solo i.e., Delecluse, Hochrainer, Carter, or equivalent.
- Drum Set: (demonstration of basic Swing, Rock, and Latin styles as listed below, and trade fours in each style)
Additional Requirements for Transfer Audition:
- Snare drum rudiments from the PAS 40 - open/closed/open
- Major and minor (natural, harmonic) scales (two octaves)
- Sight-reading on mallets and snare drum
Sight reading: expect to read on marimba and snare drum.
All applicants must perform in all listed major areas; please see below. Repertoire below is only a suggestion; please contact Dr. Hollenbeck directly if you have any questions concerning appropriate repertoire.
- Snare Drum: Etudes by Delecluse, Cirone, etc., orchestral excerpts (two).
- Marimba: 2 or Four Mallet solo transcription – J.S. Bach
- Marimba: Four-mallet solo - by Druckman, Thomas, Schwantner, Burritt, Ewazen, etc.
- Timpani: Etudes/Solos by Delecluse Carter, etc., choose two standard orchestral excerpts.
- Xylophone: Choose two standard orchestral excerpts.
- Drum Set: Optional--demonstrate proficiency in different styles (swing, latin, funk, etc.).
PLEASE learn all entrances for your chosen orchestral excerpts.